My art practice is preoccupied with assessing textile and institutional history through

the lens of feminism, ecology, gardening, and relational aesthetics. I investigate my

ideas through textiles because they are often overlooked as the simple byproducts of

gendered labour rather than a rich material culture capable of critique and humour. I

use sewing, knitting, screenprinting, and new media on fabric to critically evaluate the

destructive lack of interest and care our dominant culture demonstrates towards

marginalised peoples and the more-than-human world.